Trama — Editorial proposal
Explore Trama
Miami · Mexico City
Powered by Letca
Est. 2026Entertainment
Trama, powered by Letca
StoriesAudienceStudio

Stories that turn audiences into communities.

People stop watching the brand and start becoming part of it.

Discover our approach
01 / The starting point

Jorge Colón / Letca

Page 00 / PremiseMiami · CDMX

People no longer simply receive a message. They choose it. Or they don’t.

The shared channel is gone. Today, everyone builds their own information diet, choosing what deserves their time. Paid attention costs more and delivers less every year.

Belonging cannot be bought. But it can be built. Once it is, no one can take it away.

Our guiding principle

The intermediary is gone. Today, the conversation is direct, and the audience talks back.

What used to work now feels like manipulation. Our principle is simple: we don’t manipulate. We connect.

Trama

The narrative that connects with what people feel and believe, turning casual interest into a shared obsession.

Social Trama

A living network of mutual belonging, where an audience stops watching, becomes a community, and embraces the cause as its own.

From a story
to a community.

Page 01 / The story travels

A story can be experienced, heard, read, and shared.

Trama storyboard: a story opens up, talent brings people together, the story travels across formats, and the community takes it further.
Brand, talent, story, and community. A journey that takes many forms.
How we build it

The brand

We start with who your brand is and build a story together that connects with people.

The talent

Talent brings a distinctive voice and an existing community. Bringing talent together creates connections between their audiences.

The story

It gives them common ground: characters, emotions, and a reason to follow and share.

The ecosystem

Platforms bring the story to new people. Followers participate; likes express a response. Promotion extends its reach. We aim to turn that interest into recommendations and new people joining in.

Page 02 / How it worksFig. 2
AUDIENCE COMMUNITY FANS BRAND

An audience is rented. A community stays.

People come for the story, not the brand. When it feels like theirs, they stay and return. When they return often enough, they stand up for it.

The brand is at the center, but never in the way. That makes all the difference.

What we do

Page 03 / Six areas
01 /

Insight

Mapping the territory: who your people are, where they already gather, and which cultural spaces are open.
02 /

Access

A structured way into entertainment: film and television actors, writers, showrunners, comedians, and live entertainment producers.
03 /

Development

Bespoke formats, worlds, and intellectual property, with talent involved from the start, rather than added at the end.
04 /

Production

Film-quality directing and production in every format. It is more than a selling point: it is our standard of delivery.
05 /

Co-production

The brand becomes a partner in a project built for streaming platforms, sharing both risk and ownership.
06 /

Our slate

Original projects in development that a brand can join from the beginning.

How to work with Trama

Page 04 / Work with us

Two doors. The same team, the same standard, different conversations.

With brands

Insight, an original format, and partnership. We do not execute someone else’s brief here: we bring the insight and the story.

Contact

With agencies

We give agencies something new to offer their own clients, and access to a world they do not have. We do not compete for their clients.

Contact
What we do not do

Media buying, daily community management, transactional influencer marketing, or promises of virality. We do not sell reach. We build an audience, measured over years.

Production

Page 05 / Directors and production services

We represent directors and produce campaigns for agencies and brands in Mexico and the United States. If you need a shoot done well and on time, this door is open. No explanation needed.

Film and campaigns

  • Full-service production for agencies
  • Film, photography, digital, and adaptations
  • Our own teams in both countries

Features and series

  • Series, pilots, and documentaries
  • Executive production
  • Delivery to streaming platforms

Live events and talent

  • Events, concerts, and activations
  • Casting and talent negotiations
  • Production services in Mexico

Both worlds

Page 06 / Why us

Advertising

  • Thinks in campaigns
  • Pays a fee and moves on
  • Briefs a message
  • Measures reach
  • Needs brand control

Fiction

  • Thinks in seasons
  • Shares ownership
  • Develops a character
  • Measures retention
  • Needs creative authorship

Trama

Established talent reads these two offers differently. A brand proposal gets a quote. A creative project starts a conversation.

Anyone can get a name. Knowing how to ask is another matter.

Work

Page 07 / Work by Jorge Colón
Advertising

Nescafé

Make the Concert Happen

Advertising

Ruffles

Agente XO

Film

Quiero tu vida

Trailer

Television

Las 13 esposas de Wilson Fernández

Trailer

Advertising

Toyota

Clowns

Promo

Universal Channel

Chicago Fire

More from the Studio.

Advertising

Sabritas

Danza

Advertising

Quaker

Sofía Vergara

Promo

Studio Universal

Medieval

Film festival

Hola México

Cliché

Advertising

Ruffles

RockStar

Film

Sin ella

Trailer

Advertising

Ruffles

Estadio

The next story

Is your story
next?

Let’s talk

The studio

Page 08 / Who we are

Miami and Mexico City. Two points of access. One operation.

The budget is approved at a US headquarters, while successful execution needs to be culturally Mexican. Few teams stand in both worlds at once. Trama is backed by Letca: thirty years of operations and infrastructure across two countries.

Jorge Colón

Jorge Colón

Directing and production

Director, producer, and showrunner with experience in advertising, film, and television.

Explore his background

He founded Letca in 1993. His credits include Cansada de besar sapos, Sin ella, Las 13 esposas de Wilson Fernández, El Recluso, and Quiero tu vida.

He has worked in post-production, directing, and production across markets.

Roberto Mikse

Roberto Mikse

Strategy and business development

More than 35 years of experience, including leadership roles at Autodesk, HP, and Oracle.

Explore his background

Until early 2026, he was Autodesk’s Managing Director for Latin America. He has led teams, commercial strategies, and business development in Mexico and the region.

He advises international companies entering Latin America and Mexican companies exploring new opportunities. He works with platforms for retail, consumer packaged goods, architecture, engineering, and construction.

He also develops and implements AI agents for sales, entertainment, and learning management.

Contact

Does your brand have an audience, or people who belong?

Let’s start by mapping your territory. In three weeks, you will know where your people are and what can be built there.

info@socialtrama.com